Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Wednesday, April 19, 2017

Catching Light – New Video!

I have many shortcomings, like leaving people uncertain whether they’re supposed to laugh or not. But you can’t blame me for lack of vision. I see a future in which science has become a cultural good, like sports, music, and movies. We’re not quite there yet, but thanks to the Foundational Questions Institute (FQXi) we’re a step closer today.



This is the first music video in a series of three, sponsored by FQXi, for which I’ve teamed up with Timo Alho and Apostolos Vasileiadis. And, believe it or not, all three music videos are about physics!

You’ve met Apostolos before on this blog. He’s the one who, incredibly enough, used his spare time as an undergraduate to make a short film about gauge symmetry. I know him from my stay in Stockholm, where he completed a masters degree in physics. Apostolos then, however, decided that research wasn’t for him. He has since founded a company – Third Panda  – and works as freelance videographer.

Timo Alho is one of the serendipitous encounters I’ve made on this blog. After he left some comments on my songs (mostly to point out they’re crappy) it turned out not only is he a theoretical physicist too, but we were both attending the same conference a few weeks later. Besides working on what passes as string theory these days, Timo also plays the keyboard in two bands and knows more than I about literally everything to do with songwriting and audio processing and, yes, about string theory too.

Then I got a mini-grant from FQXi that allowed me to coax the two young men into putting up with me, and five months later I stood in the hail, in a sleeveless white dress, on a beach in Crete, trying to impersonate electromagnetic radiation.

This first music video is about Einstein’s famous thought experiment in which he imagined trying to catch light. It takes on the question how much can be learned by introspection. You see me in the role of light (I am part of the master plan), standing in for nature more generally, and Timo as the theorist trying to understand nature’s working while barely taking notice of it (I can hear her talk to me at night).

The two other videos will follow early May and mid of May, so stay tuned for more!

Update April 21: 

Since several people asked, here are the lyrics. The YouTube video has captions - to see them, click on the CC icon in the bottom bar.

[Chorus]
I am part of the master plan
Every woman, every man
I have seen them come and go
Go with the flow

I have seen that we all are one
I know all and every one
I was here when the sun was born
Ages ago

[Verse]
In my mind
I have tried
Catching light
Catching light

In my mind
I have left the world behind

Every time I close my eyes
All of nature's open wide
I can hear her
Talk to me at night

In my mind I have been trying
Catching light outside of time
I collect it in a box
Collect it in a box

Every time I close my eyes
All of nature's open wide
I can hear her
Talk to me at night

[Repeat Chorus]

[Interlude, Einstein recording]
The scientific method itself
would not have led anywhere,
it would not even have been formed
Without a passionate striving for a clear understanding.
Perfection of means
and confusion of goals
seem in my opinion
to characterize our age.

[Repeat Chorus]

Thursday, June 14, 2012

Anton Zeilinger ventures into art

The "Documenta" is a major event in the German art scene. It takes place every 5 years and draws hundreds of thousands of visitors. The well-known quantum physicist Anton Zeilinger will have an exhibition at this year's event, which just opened doors. The German Newspaper "Die Zeit" spoke to Zeilinger about this. If you don't speak German, let me translate you some paragraphs:
Anton Zeilinger... attracts mystics like light attracts moths, "quantum healers" or "quantum doctors" refer to him. "I am sorry," says Zeilinger, "there's nothing I can do about this." At the Documenta he will try to defend his research against such interpretations.
He says about the relation between art and science:
Scientists and artists have a lot in common, says Zeilinger: "Intuition and creativity are their most important tools, it is all about new approaches for the study of reality." But there is a point where [scientists and artists] differ: Science demands testability. And they have a claim of truth. "We say things about the world that are simply right." But if contradictions occur, scientists sometimes just throw out their view of the world. That was the case with quantum theory which entirely changed physics a hundred years ago.
I'll leave that for you to comment on...

I'll be away from my desk for a while, so don't worry if you don't hear much from me for the next week or so. And if you like our blog and/or extraterrestrial planets, you can vote for us in the 3 Quarks Daily contest here.

Friday, April 27, 2012

The Nerdly Painter's Blog

In expecto weekendum, I want to share with you the link of Regina Valluzzi'a blog Nerdly Painter. Regina has a BS in Materials Science from MIT and PhD in Polymer Science from University of Massachusetts Amherst, and she does the most wonderful science-themed paintings I've seen. A teaser below. Go check out her blog and have a good start into the weekend!

Saturday, February 18, 2012

Kate Findlay's LHC Quilts

Via George Musser via Symmetry Magazine come these wonderful images of quilts by artist Kate Findlay who let herself be inspired by LHC physics.




Read the full article here.

Saturday, April 05, 2008

The Elastic Mind

If you have some time to kill this weekend, browse the websites of the exhibition

in realitas at the MoMA in NYC, through May 12. According to the blurb: "The exhibition highlights designers’ ability to grasp momentous changes in technology, science, and history." It also explains "elasticity" is "the product of adaptability plus acceleration," thereby documenting a marvelous understanding of basic mathematics. But let us see how designers grasp the momentous changes.

There are for example the "Accessories for Lonely Men" by Noam Tora, electronic devices "designed to alleviate loneliness by simulating the—sometimes annoying—traces that one’s companion would normally leave behind", like the "Sheet Thief, which winds the bedclothes up on the other side of the bed while you’re sleeping".

James Auger and Jimmy Loizeau envision the "AfterLife Microbial Fuel Cell", which is "charged by the decomposed gastric acids of a dead loved one, can be engraved with an epitaph and can power a full range of electronic products", like for example a vibrator, as they suggest.

A group of British guys 'designs' a cellphone that delivers electric shocks if the person using it speaks too loudly and "disturb[s] others with their intrusive conversations".

A group of Australians wants to see pigs fly.

On the more serious side, there is James King, who considers the possibility that it will become possible to "grow edible meat in a laboratory from sample cells." Young Hyun, who presents a 3d visualization tool for directed graphs (called 'Walrus', for reasons that elude me), and Michael Burton who puts forward his Nanotopia, in which he argues that the advances in nanoscience might widen the gap between rich and poor: "While the upper classes might make the most of advances in bodily aesthetics and invent new cosmetic rituals, such as beguilingly long eyelashes, the poor might transform their bodies into farms “to cultivate desirable clinical and pharmaceutical products,” including stem cells developed from adipose (fat) tissue."

The website itself is a bit annoying, not only does it load a long time and is wider than the screen which makes vertical and horizontal scrolling necessary, it also beeps (I can't stand this). The color of links visited doesn't change, marked text isn't highlighted (one can copy and paste nevertheless, one just doesn't know exactly what), and the back button doesn't work, so you will have to use the 'Return' link. For even better readability I would recommend that next time they chose the text-color to be black on black ground, that would be optimally cool.

Nevertheless, it's fun, so check it out. A nice weekend to all of you!

Tuesday, November 20, 2007

Sand Fantasy



More? Try this, this, or this. For info, and better resolution videos, see Sandfantasy.com.

Sigh. I always loved to draw in sand.

Friday, March 16, 2007

Sword Blades

    "He took a shagreen letter case
    From his pocket, and with charming grace
    Offered me a printed card.
    I read the legend, "Ephraim Bard.
    Dealer in Words." And that was all.
    I stared at the letters, whimsical
    Indeed, or was it merely a jest.
    He answered my unasked request:
    "All books are either dreams or swords,
    You can cut, or you can drug, with words.
    My firm is a very ancient house,
    The entries on my books would rouse
    Your wonder, perhaps incredulity.
    I inherited from an ancestry
    Stretching remotely back and far,
    This business, and my clients are
    As were those of my grandfather's days,
    Writers of books, and poems, and plays.
    My swords are tempered for every speech,
    For fencing wit, or to carve a breach
    Through old abuses the world condones.
    In another room are my grindstones and hones,
    For whetting razors and putting a point
    On daggers, sometimes I even anoint
    The blades with a subtle poison, so
    A twofold result may follow the blow.
    These are purchased by men who feel
    The need of stabbing society's heel,
    Which egotism has brought them to think
    Is set on their necks. I have foils to pink
    An adversary to quaint reply,
    And I have customers who buy
    Scalpels with which to dissect the brains
    And hearts of men. Ultramundanes
    Even demand some finer kinds
    To open their own souls and minds.
    But the other half of my business deals
    With visions and fancies. Under seals,
    Sorted, and placed in vessels here,
    I keep the seeds of an atmosphere.
    "



Amy Lowell, Sword Blades and Poppy Seed


Read the full text at Project Gutenberg



Thursday, March 15, 2007

Atomic Flowers



    Though I'm a nonmathematician, my work originates in intuitions which have consistently led to an art of visual mathematics. Such an art obviously has a special resonance for scientists and mathematicians, but being visual, it can be just as immediately engaging for general audiences. Its patterns invite mathematical analysis, but require none, and need only be seen as music need only be heard. The elegant economy found in the forms and dynamics of nature has always been an inspiration to me, and I have aspired in my work only to that profundity which might arise from subtle analytic rigor, much in the manner of science. Images of sculptures I have created over the last fifteen years can be seen in the following galleries. The galleries are devoted to representative works from distinct paradigms appearing in chronological succession up to present.





For more, see this website.

Monday, February 05, 2007

Contemporary

Today, I was in the art committee meeting. We were shown a couple of new paintings and photographs for the walls of PI, and some of them were really great! I admit I wasn't really aware it's so complicated to find appropriate paintings or photographs - there seems to be an awful lot that needs to be considered.

Among the pieces we were shown was a recent photographic work of Robbin Collyer (exhibition at Susan Hobbs Gallery), which I liked a lot. I found it in the Canadian Art Database. It's from 2000 and called Crime Scene:



Now what's wrong with the photo? Look again - all the logos and labels are missing. If you have a bit of time at hand, browse some of the artist's photographs, they are worth it.

The painting that is currently hanging in the lobby downstairs is 'Untitled (Spell)' by Elizabeth McIntosh:



Ah. Oohm... How do I put that? - I just don't like it. But I can understand that one can't possibly decide for or against building decorations by asking everybody who happens to walk by. I should also say that I've looked up some of the artist's older paintings, and these are really good! Like, something between Miro and Hundertwasser. You find a couple on this website. Here is an interesting review of the painting from the Globe and Mail: BIRTH, NEW ART by Gary Michael Dault. It mentions that the painting is the first after a "dramatic shift" that Elizabeth McIntosh made after having her daughter Chlose:

"Why is that, do you think?" She thinks about it for a minute. "It's probably having Chlose," she says. "The paintings are faster and more forgiving now. And since I have a lot less time in the studio than I used to have, it all works out."

Unfortunately, I couldn't find photos of any of the paintings I liked better (well, okay, the problem might be that I immediately forgot the names of the artists). Anyway, while browsing, I stumbled across John Copeland's paintings, which are all entangled in loops and strings ;-)

This one is titled 'A Long Journey' and depicts very precisely how I feel after a day with too many seminars

And while we are at it: on the weekend I was on a pretty weird painting trip, and made some first tries for a new series of works. I'll keep you updated on the progress of the pieces. Here's a close up on the first study (click for an enlarged picture).

Friday, December 15, 2006

Beauty in Physics

As a postscriptum to my earlier post about The Beauty of it All, here is a photo of my latest painting. I made it after a sketch I took from Chanda's back during a seminar.



[Click to enlarge]


Yes, the lady on the photo is the same Chanda who also wrote the guest post at CV, see also my post about Diversity in Science.

The painting is 20'' x 24'', acrylic on canvas.



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Sunday, November 26, 2006

The Beauty of it All

I can't say I was drawn to theoretical physics because I found it utterly beautiful. Indeed, I found physics in middle school extremely confusing and ugly. We were essentially presented a set of equations, and asked to measure or compute things without any apparent reason. I definitely preferred mathematics, where things seemed to have a relation to each other, and were build up on well defined and reliable axioms.

I was lucky though that I had a very patient teacher who tried to explain me that all these equations actually can be derived from common principles, just that the maths necessary for this was missing in 8th grade. (E.g. the factor 1/2 in the equation s = 1/2 g t2 suddenly makes sense, when you learn what integration and differentiation is.) I realized only much later that in most of her explanations she was actually talking about differential equations, and the variational principle - what I would call one of the most beautiful concepts in physics.

Some weeks ago I read an article in the October issue of Scientific American Mind "The Neurology of Aesthetics", which investigated the neurological causes of what humans find beautiful. This post is a very free interpretation of the article, and a comparably free relation to beauty in physics, since I don't think it is necessary to have college level maths skills to see the beauty of it all.




Symmetry/Broken Symmetry


The SciAm article states that allegedly we are attracted to symmetry because it is a property of 'most biological objects' and 'it pays to have an early warning system to draw your attention to symmetry [...] This attraction explains symmetries allure [...]'. Which I can't really agree on, because symmetry apparently is a feature also of non living objects, whereas there exist 'biological' objects that are a) not symmetrical but worth paying attention (don't worry if you can't read the text, I'm still feeling slightly sick), or b) symmetrical but doubtful in their aesthetic value (don't click if you suffer from arachnophobia). But whatever the neurological reason, symmetry is mostly considered as beautiful, which is also the case in physics:

There are the obvious examples of crystal growth (see here for more snowflakes) which are based on lattices. Then there is the power of symmetries to classify a confusing amount of particles: the quark model, a brilliant example of how symmetries (in this case SU(3)) allow to explain the observed particle zoo by building them up of only some few constituents. (See here for more info about the Eightfold Way).


The pictures below show probability distributions of electrons in the hydrogen atom, as one can compute with elementary quantum mechanics (pictures drawn with this applet, if you want to play around).


The principle of symmetries finds its most powerful application in gauge symmetries, which are the foundation of the standard model of particle physics.

However, as my mother likes to say 'Symmetrie ist die Kunst der Blöden.' -- 'Symmetry is the art of the poor.' Which is true in the sense that perfect symmetry is just boring. From the photos at the beginning of this section, none has perfect symmetry. The breaking of symmetries is essential to the formation of life. It is what makes nature an interesting place.



Patterns and Structures


The left picture above shows a piece of the Cosmic Microwave Background, the results from the WMAP measurements. From the sizes and colors (temperature fluctuation) of this pattern one can extract information about the structures at the time of radiation-matter equality.

Another example for structures in physics is closely connected to the search for a theory of quantum gravity. It is generally expected that at smallest scales (close by the Planck length) the spacetime we sit in is not a smooth background but quite messy and quantum foamy, see e.g. here for a picture and a brief introduction.



Less is More



Simplification is one of the primary goals in theoretical physics. Basically the whole search for a theory of everything can be thought of as a search for simplification. Some of the most compelling examples for a successful simplification are maybe the unification of (classical) electric and magnetic phenomena in Maxwell's equations, and the quantum field theory of electro-weak interactions.

But simplification is not only a goal. It is also an useful tool. Think about describing the properties of vapor. You don't compute the motions of every single atom, instead you describe the whole system by some few properties like temperature, pressure and volume.

Another well known example is considering the cow to be a sphere. This might be quite a crude approximation of you think about said cow as your next dinner. But If you want to describe, say, how a cow drops out of a plane and hit some innocent fisherman, it's completely appropriate to describe it as a sphere.

Simplification is also behind the cosmological principle, according to which the universe is roughly the same everywhere, and looks the same in every direction. This sounds pretty silly if you look at the screen in front of you, but makes sense if you think of galaxies as particles in a cosmic fluid. The CMB structures shown above are departures from this over-simplified description.

Besides being beautiful, simplification is an extremely powerful concept that can save a lot of brain time.


Amplification




The SciAm article refers to this as 'hypernormal stimuli': an amplified reaction to unusual modifications of a certain property, like high contrast colors, exaggerated shapes etc. They write 'We do not know why this effect occurs but it probably results from the way in which visual neurons encode sensory information' (Which imho is equivalent to saying they don't know anything.)

To come to theoretical physics, it seems that humans are just fascinated by strange thought experiments like: What would happen if you could travel at, or even faster than the speed of light? If you fell into a black hole? If the electron mass was only a bit larger? If space-time was made of braids? What if you'd try to microwave a marshmallow? Describe everything as tiny vibrating strings? What if you could fly? Travel back in time?

There's no doubt physicists like extremes.


Problem Solving

I was kind of surprised to see the SciAm article listing problem solving as a factor for beauty, the reason being 'When the correct fragments click into place, we feel a gratifying 'aha'.' This doesn't only make us like the picture whose 'problem we solved', but it is essentially what physics is all about: explaining the underlying concepts of things that look puzzling at first sight.


Another nice example for the fascination caused by problems are maybe also Esher's impossible pictures.


An additional point that doesn't relate to beauty in theoretical physics is that of a visual metaphor which draws its relevance from the historical and sociological context.


And if you want to get a perspective of how our concept of beauty is affected through the media, look at this video.



    Don’t the hours grow shorter as the days go by
    We never get to stop and open our eyes
    One minute you’re waiting for the sky to fall
    The next you’re dazzled by the beauty of it all



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