By David Lindley
Doubleday (March 17, 2020)
Let me be honest: I expected to dislike this book. For one because it looked like a remake of Lindley’s 1993 book The End of Physics which I already disliked. Also, physics didn’t end. Worse still, if you read the description of his new book, you can easily mistake it for a description of my book Lost in Math. On the website of Lindley’s publisher you find, for example, that The Dream Universe is about “how theoretical physics is returning to its unscientific roots” and that physicists have come to believe
“As we investigate realms further and further from what we can see and what we can test, we must look to elegant, aesthetically pleasing equations to develop our conception of what reality is. As a result, much of theoretical physics today is something more akin to the philosophy of Plato than the science to which the physicists are heirs.”However, after reading Lindley’s book, I changed my mind. It is a good book and while I think that Lindley in the end draws the wrong conclusions, it is well worth the read. Let me explain.
First of all, The Dream Universe is dramatically better than The End of Physics. The latter struck me as a superficial and, ultimately, pointless attack on some trends in contemporary physics just because the author had other ideas for what physicists should do. There really wasn’t much to learn from the book. The Dream Universe is instead a historical analysis of the changing role of mathematics in the foundations of physics and the growing divide between theory and experiment in the field. In his new book, Lindley makes a well-reasoned case that something is going badly wrong.
Lindley’s book of course has some overlap with mine. Both discuss the problem that arguments from mathematical beauty have become widely accepted among physicists even though they are unscientific. But while I wrote a book about current events with only a short dip into history, and told this story as someone who works in the field, Lindley provides the perspective of an outsider, albeit one who is knowledgeable both about physics and the history of science.
As Lindley tells the reader in the preface, he started a research career in physics, but then left to become a science writer. The End of Physics was his first book after this career change. He then became interested in the history of science and wrote several historical books. Now he has taken on the foundations of physics again with a somewhat more detached view.
The Dream Universe begins with some rather general chapters about the scientific method and about how scientists use mathematics. You find there the story of Galileo, Copernicus, and the epicycles, as well reflections on the conflict-loaded relation between science and the church. Lindley then moves on to the invention of calculus, the development of electrodynamics, and the increasing abstraction of physics, all the way up to string theory and the idea that the universe is a quantum computer. He lists some successes of this abstraction – notably Dirac’s prediction of anti-matter – before showing where this trend has led us: To superstrings, multiverses, lots of empty blather, and a complete lack of progress in the field.
Lindley is a skilled writer and the book is a pleasure to read. He explains even the most esoteric physics concepts eloquently and without wasting the reader’s time. Overall, he maintains a good balance between science, history, and the lessons of both. Lindley also doesn’t leave you guessing about his own opinion. In several places he says very clearly what he thinks about other historians’, scientists’, or philosophers’ arguments which I find so much more valuable than pages of polite tip-toeing that you have to dissect with an electron microscope to figure out what’s really being said.
The reader also learns that Lindley’s personal mode of understanding is visualization rather than abstraction. Lindley, for example, expresses at some point his frustration with a professor who explained (entirely correctly, if you ask me) that “a tensor is an object that transforms as a tensor” with a transformation law that the professor presumably previously defined. Lindley reacts: “Here is how I would explain a tensor. Think of a cube of jellylike material.” It follows two paragraphs about jelly that I personally find entirely unenlightening. Goes to show, I guess, that different people prefer different modes of explanation.
In the end, Lindley puts the blame for the lack of progress in the foundations of physics on mathematical abstraction, a problem he considers insurmountable. “The unanswerable difficulty, as I hope has become clear by now, is that researchers in fundamental physics are exploring a world, or worlds, hopelessly removed from our experience… What defines those unknowable worlds is perfect order, mathematical rigor, even aesthetic elegance.”
He then classifies “fundamental physics today as a kind of philosophy” and explains it is now “less about a strictly rational understanding of the universe and more about finding a scenario that we deem intellectually respectable.” He sees no way out of this situation because “Observation, experiment, and fact-finding are no longer able to guide [researchers in fundamental physics], so they must set their path by other means, and they have decided that pure rationality and mathematical reasoning, along with a refined aesthetic sense, will do the job.”
I am sympathetic to Lindley’s take on the current status of research in the foundations of physics, but I think the conclusion that there is no way forward is not supported by his argument. The problem in modern physics is not the abundance of mathematical abstraction per se, but that physicists have forgotten mathematical abstraction is a means to an end, not an end unto itself. They may have lost sight of the goal, alright, but that doesn’t mean the goal has ceased to exist.
It is also simply wrong that there are no experiments that could guide physicists in the foundations of physics, and I say this as someone who has spent the past 20 years thinking about this very problem. It’s just that physicists are wasting time publishing papers about beautiful theories that have no relevance for nature instead of analyzing what is going wrong in their discipline and how to make progress.
In summary, Lindley’s book is not so much a competition to Lost in Math as a complement. If you want to understand what is going wrong in the foundations of physics, The Dream Universe is an excellent and timely introduction.
Disclaimer: Free review copy.